Catholics for Choice (CFC) was founded in 1973 to serve as a voice for Catholics who believe that the Catholic tradition supports a woman's moral and legal right to follow her conscience in matters of sexuality and reproductive health. CFC has its headquarters in Washington, DC. CFC collaborates with organizations throughout Latin America, and maintains a presence in the European parliament and throughout Europe, working closely with Catholic and reproductive health colleagues there.

TITLE

Booklet

CLIENT

Catholics For Choice

PRODUCTION NOTES

Oblong booklet with concealed Wire-O binding and wrap-around cover

Four-color process

The Four Seasons offers lodging quality of the highest order with each property set in truly elegant surroundings. The hotel chain has grown to 91 hotels in 38 countries.

CJPW supplied this notebook for a recent Food and Beverage Conference held in New York City. It features photographs of all Four Seasons Americas properties each followed by extra note pages. The cover is gold stamped with Four Seasons branding; the conference wordmark, which CJPW designed for the show, was embroidered on the servers’ uniforms.

TITLE

Conference Notebook

CLIENT

The Four Seasons Hotel

DESIGN

CJPW Design Works

PRODUCTION NOTES

Cover: Gold-stamped on Navy Blue Madera French Leather cover

Interior: 204 pages printed black on 60 lb Opaque Offset Perfect bound

The Carlyle is a Rosewood Hotel and debuted in 1930. Located on Manhattan’s Upper East Side overlooking Central Park, it is a true New York City landmark and was home to many performances by the renowned Bobby Short.

CJPW has printed and reprinted this journal several times. Because it must be a permanent record-keeping journal, it is smyth-sewn bound. The covers are gold stamped with the hotel brandmark.

TITLE

Lost and Found Journal

CLIENT

Hotel Carlyle

DESIGN

In-House

PRODUCTION NOTES

Cover: Gold-stamped

Interior: 80 lb Accent Opaque Text

Binding: Smyth-sewn

These catalogs were designed and printed expressly for Tefaf art exhibitions held annually in The Netherlands. They feature full-color images of many of the Grassi Studio’s offerings. The text was set in Garamond Oldsytle and screened to appear gray. This helped soften the text-heavy pages against the full color photos on the opposite pages. The text digitally printed on the Indigo press; the cover is engraved and then burnished with the studio’s logomark.

TITLE

Tefaf Art Catalog

CLIENT

The Grassi Studio

DESIGN

CJPW Design Works

PRODUCTION NOTES

Cover: Engraved and burnished in gold foil on 110 lb Mohawk Loop Antique Vellum Cover, Chili Red

Interior: Digital process on 100 lb Galerie Silk Cover

Plastic spiral bound

In 2011 CJPW expanded its product offerings to the hotel and lodging industry with the acquisition of a retiring print company. We currently provide distinctive collaterals, as well as design to this growing sector.

To promote these unique products and introduce ourselves into this market, we designed and produced this booklet. It displays photos of the most popular products, tailored especially to hotels and lodging facilities everywhere. Prepress included set-up studio photography, photo-retouching and silhouetting.

TITLE

Hotel Brochure

CLIENT

CJPW

DESIGN

CJPW Design Works

PRODUCTION NOTES

All leaves printed four-color process plus PMS metallic gold offset plus gloss aqueous on 110 lb Topkote Gloss cover. Cut, collate and Wire-O bind with white plastic.

The College of Arts and Architecture at Penn State is a complete arts community including academic programs and museum and performing arts units serving the University and beyond. It is a professional college committed to artistic and scholarly creativity, research, and the preparation of specialized practitioners in all of the arts and design disciplines.

This catalog is an example of the high quality printing of the digital process. Each page features a full-color image of the artist’s paintings, including watercolors, gouache and pencil collages. Though bulking less than 1/8”, it was neatly perfect bound to form a beautiful and accurate portfolio.

TITLE

Thresholds Exhibition Catalog

CLIENT

Penn State University College of
Art and Architecture
Stephanie Snider, Artist

DESIGN

Point Five

PRODUCTION NOTES

Cover prints four color process digital on Mohawk Options Smooth 100PC (100% recycled) 80 lb cover. The interior pages printed process on matching 80 lb Cover.
Perfect bound.

Orion Capital enables some of the largest companies and brands in the world to part-fund media expenditures with their assets – generating cash flow savings for clients and eliminating potential losses on asset dispositions. Established in 1996, the company has over 300 employees in offices in Asia, Australia, Europe, North America and South America. Orion is a member of the constellation of companies within Mediabrands and is wholly owned by Interpublic (NYSE:IPG).

This is in the truest sense a notebook, since all of the interior pages are blank, except for a very small copy line of branding at the bottom of each page. It’s 7” x 10” size makes it very easy to handle. The cover is printed with the corporate brand.

TITLE

Notebook

CLIENT

Orion Trading

DESIGN

In-House

PRODUCTION NOTES

Text is 120 pages printed on 70 lb Cougar Opaque Offset in gray; the covers print four color process on 16 pt Carolina Coated One Side Cover. Binding is white spiral coil.

This is an outstanding example of what is possible with digital. The quantity for this Lookbook was just 300 pieces so digital printing was chosen. The client wanted the highest possible reproduction to capture the textures of her fine quality women's blouses and skirts -- most of which are manufactured from cotton mesh and silk organza fabrics. To add substance and flair to the book, each page was printed as a double-folded signature, the gathered and spiral bound.

TITLE

Sioloonim 2010 Lookbook – 8" x 8"

CLIENT

Au Ciel

DESIGN

Nazak Savitt Design

PRODUCTION NOTES

Digitally printed four color process plus register emboss (logo) on 100 lb Mohawk Superfine Ultrawhite Smooth Cover, die scored, folded, gathered and spiral bound with clear plastic.

Another excellent example of the reliability of digital printing. This booklet's cover was designed using a PMS purple and a PMS yellow, coupled with very thoughtful application of tints and reverse type. The digital press converts all colors to CMYK and thus the challenge to presrve the original PMS specified color. The Indigo performed brilliantly with rich, vibrant color reproduction.

TITLE

Awards Program

CLIENT

NYU Langdon Medical Center

DESIGN

Point Five Design

PRODUCTION NOTES

Printed four-color process digital on 100 lb Mohawk Superfine Ultrawhite Smooth Cover and Text; scored, folded and saddle-stitched.

To guarantee excellent print quality it's critical to start with high-quality color separations when working with scannable media. This artist's evocative work was done in the traditional manner, color separating from 4x5 chromes taken from the actual paintings and then converted to match the artist's original.

TITLE

Elena Climent, Re-encounters and Lateral Altars

CLIENT

MaryAnne Martin Fine Art

DESIGN

Art-Pro Design

PRODUCTION NOTES

24-page 8 ½" x 11" self-cover

Four-color process on Ikono Gloss Text and Cover

Lynn Bump of Art-Pro Design assembled this project consisting of a series of postcards and a carrier to hold them. We configured the press form with ten lots of cards as well as the die-cut holder, which was designed with simple loose flaps. CJPW provided the collating and assembly of the pieces after printing and finishing.

TITLE

The Middle Ground: Morning Walks

CLIENT

MaryAnne Martin Fine Art

DESIGN

Art-Pro Design

PRODUCTION NOTES

Folder and postcards: four-color process on 100 lb. Utopia One Matte Cover

Insert: 36 lb. UV Ultra Translucent, Radiant White

Die score, die-cut, fold, insert and assemble

An exceptional amount of planning went into the pre-press and printing of this multi-piece case and book. The design employed the use of "mixed colors" in the InDesign palette with ten different variations of percentage builds using the two PMS inks. To assure uniformity of color, pages with similar tints were positioned on the same form. A color gradient bar was also printed on the cover form as a guide to measure ink densities throughout the run.

TITLE

Spin-Off Tool Kit

CLIENT

Vera Institute of Justice

DESIGN

Point Five Design

PRODUCTION NOTES

7" x 9 ½" 64-page plus wrap-around cover book with perforated fold-out

Interior text printed two PMS match colors plus satin aqueous on 100 lb. Mohawk Navajo Brilliant White Text

Covers printed same PMS inks on 100 lb. matching cover

Pages collated, Wire-O bound and glued into cover

When this book came in, it was specified as a saddle-stitch booklet. Saddle-stitch books normally max out at about this many pages, tending not to lay flat but pop open. Numbering over 64 pages, we suggested perfect binding, making it neater and more presentable. The increased cost was not considerable.

TITLE

Program Winter 2006

CLIENT

West Side YMCA

DESIGN

In-House

PRODUCTION NOTES

5 ½" x 8 ½" 64-page plus cover perfect-bound book

Cover black plus PMS red and overall satin aqueous

Text black plus PMS. 80 lb. HannoArt Gloss Text and matching 100 lb. Cover

This binder merits discussion because of the interesting interplay of pastel silk screen inks and translucent vinyl. The printing required screening in two match inks, tinted to reproduce as light "ghosted" images to preserve the delicate subject matter. The tint values were carefully adjusted over a series of full-sheet press proofs submitted to the client prior to the production run.

TITLE

Womens' Health

CLIENT

Hadassah

DESIGN

In-House

PRODUCTION NOTES

Three-ring looseleaf binder, ¾" capacity containing one bank of four tab dividers ¼ cut and 81 leaves of text

Binder: 35-gauge white frost vinyl, silk screen two PMS inks; die-cut affix white rivets

Interior: Text - one PMS ink on 60 lb. Finch Opaque

Tabs: one PMS on 100 lb. Finch VHF Fine Cover, clear mylar, punch, collate with text, shrinkwrap and insert into binder

At the risk of sounding old-fashioned, we do have to say that this six-book set is neat. We believe Postmodern's idea for these well-written of-the-moment subjects is excellent and are excited about future prospects for the company. The covers were printed in combination as one pass on a six-color press and eventually "married" to each individual text and perfect bound.

TITLE

Postmodern Library Six-Book Set

CLIENT

Postmodern Library

DESIGN

Kristine Ferrell

PRODUCTION NOTES

Six lots 3 ½" x 5" / 64-page plus cover perfect-bound books

Each cover prints a different PMS ink

Interiors print black on 80 lb Finch Vellum Text